A Humorless Tyrant
Although Castro almost invariably introduces
a few humorous elements into his speeches and gives the impression
of considerable wit, he seems to lack any real sense of humor.
He can never take a joke on himself. Though he enjoys laughing
at others, he rarely does so at himself. He is incapable of purifying
his gloomy self with self-irony and humor. He is extremely sensitive
to ridicule. He takes himself very seriously and will flare up
in a temperamental rage at the least impingement by act or attitude
on the dignity and holiness of the Maximum Leader.
The following incident gives an idea about Castro's lack of sense
of humor. In early February, 1959, Zig-Zag, the Cuban
weekly humorous newspaper, tried to show through its cartoons
that the Castro movement, like virtually every Cuban political
movement before, was being hitch-hiked by political hacks. It
is pertinent to add that Zig-Zag enjoyed a well earned
reputation for letting the air out of gassy politicians. Its
full front page cartoons were brilliant, and even President Batista,
often the butt of Zig-Zag's satire, let it pass with a
smile. In this instance, the full-page cartoon showed Castro
marching along, following by a group of his barbudos and
a multitude of civilians wearing derby hats. Derby hats are known
in Cuba as bombines, and the appellation is tagged unto
those who are political turncoats, professional flatterers who
follow every government in power.
But Castro's unexpected reaction was an explosion of rage. Next
day, while giving a speech, he accused Zig-Zag of employing
"cowardly writers," who, he alleged, had pictured him
as "consorting with bombines." "Don't ever,"
threatened and angry Castro, "portray me in the company
of bombines." His threat prove to be not an empty
one. A few months later he banned Zig-Zag, which won that
way the dubious honor of becoming the first member of the Cuban free
press on the long list of the ones destroyed by Fidel Castro.
After the banning of Zig-Zag, just a few humoristic publications
have appeared in Castro's Cuba, among them Palante, and
Dedeté. But political satyre in these publications
is mostly devoted to ridicule the "Yankee imperialists"
and other Castro opponents. Caricatures of the Maximum Leader
have been conspicuosly absent from their pages.
In 1987, however, a caricaturist known as Ajubel broke the non-written
rule and published one of the few caricatures of Castro appeared
in the state-controlled press. It depicted a gigantic Fidel walking
through a field of desks and bureaucrats, destroying them with
his feet. Ajubel's caricature was supposed to be a depiction
of Castro fighting the inefficient government bureaucracy. After
approval from the Ministry of Culture, and perhaps from the dreaded
Ministerio del Interior, the caricature was published in Dedeté.
But, almost immediately, the whole edition of Dedeté
was confiscated and destroyed after somebody (most likely
Castro himself) realized that Ajubel's caricature could be easily
interpreted as The Maximum Leader destroying the whole country.
Ajubel currently lives in exile in Spain.
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